The making of
a project that was borne out of the intuitive act of capturing the work setting of each shoot. It is my attempt to reveal the rules I have defined for that specific moment, thereby enabling myself to confront and breakthrough my own dogmas.
Bereft of any form of manipulation (except framing), my goal is to elevate the backside of the work, the meta-process, as its own subject matter.
The making of #19 2008
The making of #25 2008
The making of #26 2008
The making of #28 2008
exhibition at gallery lief hertje en de grote witte reus, the hague 2009
printwork accompanying the exhibition designed by karin mientjes